Le printemps chantant Oil

«Malivani’s deep affinity to nature is also shared with the Pre-Raphaelites, notable through her predilection for painting serene and harmonious figures alongside an abundance of resplendent nature and blossoming flowers; this propensity reflects a philosophical connection with Sir John Everett Millais and John William Waterhouse».

«Diana Malivani. Critical Analysis» by Timothy Warrington, Art Critic, 2019
(International Confederation of Art Critics. Chianciano, Italy)