287147 View Subterranea 10: Waterloo View Subterranea 10: Waterloo View Subterranea 10: Waterloo

View Subterranea 10: Waterloo

in Ink by Rebecca Coleman No Artist Reviews
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One of a series of original wood engravings exploring the dynamic atmosphere and distinctive architecture of the London Underground. This piece depicts one of the Bakerloo line platforms at Waterloo station - showing the distinctive piano-key tiling and dramatic sweep of the curved tunnel. This is the busiest Tube station in London, but in this fleeting moment the platform is almost deserted. The artist says: "As a former Tube commuter myself, I know that - packed full of busy travellers every day - the Underground can very easily be taken for granted. By choosing unusual angles and perspectives of near-deserted stations, my aim in this series of artworks is to help the viewer to rediscover and better appreciate these incredible subterranean man-made structures." Unframed, limited edition of 100. Signed and numbered by the artist. Note: actual image size is 14x19cm hand-printed on a larger sheet of paper to allow for mounting and framing. Framing and mounting is available from the artist. Wood engraving is a traditional form of fine art printmaking. The artist uses specialised tools to create the image in relief (and reverse) on the end grain of a block of hardwood - usually boxwood - by removing the 'white' parts of the image. This technique is painstaking and highly technical, and allows for the creation of exquisitely detailed works. Rebecca's wood engravings have been exhibited in the Royal Academy Summer Exhibition, with the Society of Wood Engravers, and in galleries across the world from Japan to the USA.
W 5.50" x H 7.50"
W 13.97 cm x H 19.05 cm
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About the Artist

Rebecca Coleman SGFA has exhibited work at some of the country's most iconic artistic locations — including the prestigious Royal Academy of Arts and the Royal West of England Academy — and with distinguished organisations including the Society of Wood Engravers and the Royal Society of British A...

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