Paul Burgess was born and bought up in the Wye Valley, near the market town of Chepstow. Having spent the eighties and nineties working mainly in pastels, after a chance meeting with two Buddhist nuns in 2003, he decided to spend several years in meditative retreat at a Buddhist monastery. And this experience has been influencing his art ever since. Here’s what Paul had to say to about his work:  


Describe a typical day in your life as an artist

Paul Burgess: I don’t really have a typical day, each day is different. I usually have several paintings on the go at any one time, so my day is determined by which one I`m working on and the stage it`s at.

I have to be in the right frame of mind to paint, it`s not something I can do mechanically, and if I don`t feel the connection with the piece, I won`t touch it. I`ll go and do something else until it feels right to start painting. It does lead to my working day being unpredictable, but I like that, it stops me from taking things for granted and keeps me interested.


Where do you gather inspiration for your artwork? 

PB: I draw my inspiration from the landscape I find myself in and the connection I feel with it. I love exploring woodland in particular because it’s where I feel the connection the most. I can often be found out and about at dawn, searching for those spectacular early morning scenes with beautiful strong natural light.


Above: ‘Muted Blues & Dappled Light’ by Paul Burgess


What was the first piece of artwork you created and the first piece you sold?

PB: Is there every really a first piece of artwork? Most of us are making marks at a very early age, so personally I see it as more of a natural progression rather than a definitive beginning.

The first piece of artwork I sold was a 3D painting of a local church, which was painted on glass in enamels with a separate watercolour background. Everything was outlined and there wasn’t a straight line anywhere. I seem to remember selling it for £25 back in the 70s.

What is the most important piece of equipment in your artist`s toolbox?

PB: There isn’t one thing in my artist’s toolbox that is more important than anything else. Everything is equally important as I need it all to do what I do.


Above: ‘Wentwood Limited Edition’ Print by Paul Burgess

If you could own any piece of artwork what would it be?

PB: It would be virtually impossible to choose just one piece from all the amazing artworks in the world. One that has always stood out for me though is ‘Fumee d`Ambre Gris’ by John Singer Sargent. I love Sargent`s work, and this is one of my favourites because of its beautifully subtle elegance. I could imagine staring at it for hours on end if it was hanging on my wall.

How has helped you progress your artistic career?

PB: have been instrumental in the development of my work, by giving me the support I`ve needed to allow my work to evolve naturally. They have tirelessly promoted my work since I joined them in 2011, which has brought my style of painting to the attention of many more private buyers and collectors.

Are you interested in hanging an artwork by this amazing artist on your own wall? Then take a look at Paul Burgess’ profile now.